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  • Schrödinger’s Girl

    There are times I feel alone and I know I shouldn’t. I’m aware this is more my fault than anyone else’s, and it’s born of the fact I feel so unnatural that there’s a gap between me and ‘normal’ people. I can’t bear being around people because it reminds me of that gap.  A fundamental failure.

    There’s a growing, wild part of me that just doesn’t understand why I should bother when I’m so different. It asks, what’s the point, functionally, when at the end of the day they won’t really understand?  I KNOW that’s not good. Humans are social creatures, blah blah blah – regardless, that’s the crux of the thing. At the end of the day, everything else rotates around that gap.  

    That feeling of being separate, of not being associated, has made it so I do this where I can be there in physical form but actually mentally living in some other space in my brain. I’m not talking about daydreaming or something like that. It’s also not that yawning empty where feelings are supposed to reside but don’t, which is another emotional cosmic horror to unpack another day. 

    This is different. A blankly lucid space where I can just be for a moment and not be touched or feel or anything. An unending room of nothing but plain grey and me. Present and absent. Schrödinger’s girl. Nothing and me all at once. 

    I just slide right out, into some recess in my brain, leaving some other part of me to respond while the emotional center of me is actually in some sort of liminal space. Two realities, one brain.

    It’s like some tragicomedy thing with me – tragic because I know there’s something just off about the whole “me” thing – comic because I feel like no one else notices and maybe they should? Because, of course, the deal with Schrödinger’s cat is one of observation – it is both dead and alive because the result is unobserved. Is this some function of me feeling unobserved, when often it’s what I want most? 

    But then it leads me to questions. Like, wouldn’t you notice if someone would just slip out of the door in their head while talking to you? I’d like to think I would. The second I think someone feels bored I change the conversation to something more engaging, the trauma response from having to be the entertainment or the big ‘or else.’ I can sense when other people glaze over – disassociative girl recognizes disassociation (film at 11).  

    Maybe I expect too much? Maybe when I use the word empathetic and others do it’s a different thing. When I use it, I mean to be I’m able to imagine what someone is feeling so profoundly I can taste and see and smell and feel through them. Sometimes the gap makes it so empathy is the only mechanism I can use to something real. 

    It’s why I’m struck to my core watching someone else. It’s why performances –  movies and TV and stage and video games – are so important to me, why the only real moments of release can leak out while I’m watching other people. Because in those moments, I can connect to what they are feeling in a way I can’t connect to what I should maybe be feeling. It reminds me of this passage I wrote once a while back – a zombie-human hybrid practicing blinking in a mirror so she could pass as human.  The not-quite-girl in a girl skin tries to learn to blend in.

    It’s not that I’m cut off from my feelings. I feel them. I understand where they come from. I’m more than painfully aware of where my body keeps the score. I can analyze the ‘right’ of them – that this leads to that and A leads through B to C. It’s that it doesn’t matter as much to me when they’re mine. I still just think of myself as this wandering roving thing, some outsider to the entire ordeal of it all. Given it all, receiving none of it. I was taught that, in a way, that I wasn’t worthy of the air I breathed and my existence was some weird anomaly that came down to ‘[my mother] was a whore.’  On this endless repeat until I got out at 17 and figured out the best way to never go ‘home’ again (and I never really have, because what is home, anyway, really?).

    That space of liminal lucidity is how I can smile so big and say “But I’m filled with rage all the time,” in what feels like the ultimate expression of inappropriate affect.  This strange faucet of simultaneous feeling and numbness that is always open. And after I feel that way, living this quiet, inexpressibly ultimate truth, it leaves me feeling drained. Not empty, just drained and like I’ve been filled with something else.  Disdain? Disappointment? Dissatisfaction?

    Some sort of dis, I think.  Disquiet, perhaps. Maybe it’s just that. That I’m the restless one, wrestling my own rest. The answer, if knowable, if it matters, is somewhere. Maybe I’m searching through languages trying to find that word, trying to pinpoint that experience, a massive a-ha moment where I can recognize these strange un-feelings and pathologize them and in doing so finally understand what was done to me to make me that way. To finally glimpse inside that darkness that even I’m too afraid to look too long at because that abyss – it would surely swallow me whole and maybe I’d never crawl out of that. I’d just be stuck forever in that past sadness, unable to escape and do anything at all, and too overcome to do anything but tremble from the truth of it. Maybe then I’d be still instead of struggling forever against a void that might actually be truly inescapable.

  • Rethinking

    When I first set this site up, it was with a totally different intention than I really see things now. Originally, I was going to start a crafting company, if you can believe it! Then, I found myself wanting to have a niche, which is what they always tell you to do.

    Ultimately I’m bad at doing what they always tell me to do. For instance, starting a blog in the post blog world.

    Anyway, it was listening to the insistence that I niche-down that this domain ended up languishing. It’s also partially due to the fact that I have times when I just fall out with some activities while I focus on other things. I’ve been very focused on keeping up the writing for collective.world so the idea of writing in-depth about movies when I’m off work just wasn’t something I was interested in doing.

    So I want to give myself a space in which I write, but I don’t want to be held to a niche or I’ll never do it. I want people to be able to read it, but I don’t want to be dedicated to advertising it, or have an entire separate site to house it.

    So now? Fuck it. Let’s do this thing.

  • Cinema Enigma Podcast: Hundreds of Beavers

    This is my favorite movie from 2024. I compare everything to it, it’s broken my brain in the best way.

    Like everyone you know, I’m on a podcast. I’m a regular co-host, and we trade off movies to watch. I’ve been working on some longer pieces to discuss some of the movies we watched, but I felt compelled to stop everything and write about the movie that really took my breath away — Hundreds of Beavers. We did a show about it here.

    Like many of my favorite movies, Hundreds of Beavers is an independent film, but luckily for you it’s quite easy to watch. For instance, Amazon Prime has it as a cheap rental and AppleTV has it available as well. It’s easily findable. Here is the trailer.

    Hundreds of Beavers is what it says on the tin — it’s got hundreds of beavers. *Taps movie* this baby can fit so many beavers!

    And this movie, hands down, is one of my favorite movies ever. I’m not even kidding, it’s in my top 15. I honestly can’t believe how quickly this rose to the top of my movie list, and I wholeheartedly recommend it to anyone and everyone, which is why I’m sitting down to write this now. Normally when I have to watch a movie twice in a row to review it the second watch can be a bit of a slog — but not with this one.

    Everything, and I mean everything, about this movie appeals to me. It has amazing aesthetic choices, an independent storytelling style, exceptional music, and a slapstick soul that romps through a simple narrative done extraordinarily well. I’m fan of each of those facets — and Hundreds of Beavers is a gem of a movie that has all of them. I am hoping that this film is taught in film classes for years to come and I hope it has Hollywood trembling in its boots. Hundreds of Beavers proves yet again that amazing films can be created on microbudgets and outside of the studio system.

    It’s also a masterclass in storytelling. One of the big lessons I had to learn when I was studying writing was how to bring a story down to its components, and only use things in that served that story. The writers certainly know that, too because every moment, every gag leads to a payoff in Hundreds of Beavers.

    Two out of Hundreds. Image Source: HundredsofBeavers.com

    Hundreds of Beavers is directed by Mike Cheslik and stars Ryland Brickson Cole Tews. They both wrote the film, and it was filmed in Wisconsin. It follows the story of Jean Kayak — an applejack maker who must face the harsh winter landscape after the destruction of his farm. We watch as he grows his knowledge about trapping and hunting. It takes inspiration from a variety of sources — from Buster Keaton to Jackie Chan.

    It opens, as many movies do, with a big musical number — and after that there are few words uttered. They aren’t needed — the story doesn’t need words to be conveyed, nor does it need them to be interesting. It’s rare that a single person on screen can be as animated and captivating as Ryland Brickson Cole Tews is. It reminded me a lot of the energy that Bruce Campbell brought to Evil Dead 2.

    When other characters are on screen, it’s a delight to see them play off each other. Whether it’s Doug Mancheski as The Merchant never cutting Jean Kayak some slack, or Wes Tank teaching Jean Kayak the ways of fur trapping, the actors are exceptional at telling the stories with everything but their voices.

    Some of the gags are too hilarious to be believed, and the escalation of them ends up in a grand finale of a payoff.

    I don’t want to give up too much of the plot or action of Hundreds of Beavers — it’s a movie that is better experienced than described, and is a treasure to talk about with like minded Beaver-Believers. You can certainly listen to me talk about it once our podcast episode drops (check out Cinema Enigma wherever you listen to podcasts).

    Just be careful about recommending it, lest you find yourself saying “You should see Hundreds of Beavers” which could be taken in vastly different ways.

    With cinematography like this, who needs words? Image Source: HundredsofBeavers.com