Category: Film Previews

  • Only In Theaters

    The Laemmle family has been in film since the beginning, and ‘Only in Theaters’ chronicles this iconic family’s impact on cinema, in particular the impact of the chain of theaters in Southern California bearing their name and run by CEO Greg Laemmle. Opening at the Laemmle family’s Shabbat table, the documentary weaves images and film from their family archives, interviews with influential figures in film, and family celebrations and reminisces with footage that director Raphael Sbarge captured during 24 extraordinarily turbulent months for the revered theater chain.

    It’s a wise thing to focus on the theater chain, because the scope of the documentary would be too large should it try to encompass the impact of the Laemmle family – which can’t be overstated. Not only did Carl Laemmle save the lives of 300 German Jews, but he also began an unforgettable legacy of uplifting independent voices in Hollywood.

    Carl Laemmle, A German immigrant who came to the United states in 1884, may have started working in retail and dry goods, but it all changed when he first glimpsed a nickelodeon. Laemmle would stand against Edison’s Motion Picture Patents Company. Laemmle’s successful challenge broke Edison’s monopoly of moving pictures.

    Laemmle published cartoons mocking the Motion Picture Patents Company, and they did the same – a popular way to sway the court of public opinion at the time. Image Source: Nickelodeon Theater by Q. David Bowers

    Laemmle would go on to form Universal Studios, but without his innovations in marketing (for individual actors) and location (moving west) the history of motion pictures would be entirely different.

    While telling some of the storied history of the Laemmle family is important to “Only in Theaters,” the focus is on the 84-year-old Southern California theater chain. Initially intended by the director as a more brief project that would encompass the challenges faced by the arthouse change in the face of waning ticket sales due to streaming technology, and the contemplation of a buyout, the documentary also encompasses the challenges faced by the family-owned chain during the COVID-19 pandemic.

    ‘Only in Theaters’ is engaging with the way it explores the history and challenges faced by the Laemmle family and its business, but what stuck with me more was the movie’s celebration of theater-going itself. It includes many stories of movie-going experiences: first dates, inspirational, life-altering experiences, and important premieres that happened at Laemmle theaters. As the documentary demonstrates, there’s something magical that happens in a movie theater, and central to the documentary is that movie theaters are storytelling spaces of vital importance: and this is true of Laemmle theaters in particular.

    I think anyone who has seen a movie in a theater agrees. There’s something special about it: from the beautiful, large spaces to the collective energy of the crowd giving itself over to the fictional dream.

    In an interview for the Jewish Journal, Greg Laemmle shared his observations made as he toured with ‘Only in Theaters.’ “As much as films are struggling right now, event cinema screenings are doing very well,” he said. “We make every screening a little special. It’s much more important now to appear at the screenings and talk to audiences afterwards.” I’ve certainly been to such an event screening recently to see Tommy Wiseau’s Big Shark (and Tommy Wiseau has a history of screening ‘The Room’ at … you guessed it, Laemmle theaters. Such event cinema screenings offer a lifeline to small theaters seeking to find their audience in the post-pandemic, post-streaming world.

    ‘Only in Theaters’ isn’t just about 24 months in the history of Laemmle Theaters – that would have been compelling enough, though! It’s also a celebration of independent cinema in general. It honors the cultural legacy of these spaces dedicated to collective experience, elevating them as sacred. After watching it, my first impulse was to go out to see a movie.

    Obviously, I’d say the best way to see this engaging, vibrant, and interesting documentary is to head to a Laemmle theater – or your local independent theater. There’s a schedule of events for it here. But if you can’t make it to one of those, ‘Only in Theaters’ will be streaming on Amazon starting May 2nd.

  • My Induction into “The Secret Society for Slow Romance”

    I was privileged to spend part of the pandemic watching the creation of The Secret Society for Slow Romance unfold on social media, and was absolutely thrilled to get a chance to be one of the earliest screeners for the movie. While I was worried about how Sujewa Ekanyake’s movie would handle a comedic romance during a global pandemic, I was delighted to find that it dealt with the pandemic (and a variety of deep subjects) with a heavy dose of wit and a sprinkle of intelligent, disarming earnestness. The movie is like a warm, cozy blanket — soothing and comfortable, and good for uplifting spirits. Ultimately, The Secret Society for Slow Romance is a cozy love note to cinema, independent film-making, and New York City.

    Sujewa Ekanayake as Rene and Alia Lorae as Allyson in The Secret Society for Slow Romance. Image Copyright 2021 Sujewa Ekanayake. Used with permission.

    I can’t be sure of how I initially started following independent filmmaker Sujewa on social media, but it probably has to do with our shared love of David Lynch (and an admiration for what Dune was). I was certain I’d watch anything he made once I watched his incredible slow cinema comedic noir “Werewolf Ninja Philosopher.

    On the most fundamental level, The Secret Society for Slow Romance is a slow cinema romantic comedy that explores what happens when two extraordinary people go on a few dates in New York City. The slow cinema styling allows us to explore big questions and even larger answers as filmmakers Rene (Sujewa Ekanayake) and Allyson (Alia Lorae) share take-out, conversation, and beautiful views of New York City. Throughout the movie, shots are allowed to linger on interesting spaces, objects, and people — the soft, welcoming glow gives character to the camera itself, which should be no surprise in a movie focused on two filmmakers.

    Sujewa Ekanayake as Rene,Alia Lorae as Allyson in The Secret Society for Slow Romance. Image Copyright 2021 Sujewa Ekanayake. Used with permission.

    Rene and Allyson aren’t just any filmmakers. Scientific studies found Rene to be the Happiest Man in North America. Allyson was voted The Most Productive Person in NY City by an independent film site. Through conversational exploration of the differences in their approaches to independent movie making, as well as their respective interests, we’re invited to contemplate all that cinema has to offer the world and just what a vast scope the word ‘film’ encompasses.

    During the movie, Allyson and Rene talk about their ambitions in film, and it was wonderful to feel like I was in on conversations about some of the challenges of independent filmmaking.

    Alia Lorae as Allyson in The Secret Society for Slow Romance. Image Copyright 2021 Sujewa Ekanayake. Used with permission.

    “I never really thought of happiness as a goal to achieve, I just kind of thought of it as something that happens like other things in life.” — Allyson

    I found myself, more than once, jotting down pages of notes of what Rene thought we should all learn in junior high — the movie is so dense with philosophical concepts and film references that attempting to catalog them all is a feat in and of itself. The slow, easy timing of the movie and laugh out loud absurdist humor makes the dense material playful. This positive atmosphere permeates every moment of the film. While Rene often comments on his surprise that Allyson hasn’t encountered a concept, that surprise is never from a place of judgement. Allyson’s interest in the most independent and experimental of films doesn’t reject anything more popular. In other words — these two characters are too comfortable in their own skin to be bothered with that.

    While the bulk of the film is focused on time with Rene and Allyson together, it doesn’t mean that the world of The Secret Society for Slow Romance isn’t filled with interesting characters. Days after watching, I found myself wondering about the adventures of characters like Pyjama Jams and Tor. We also get to spend some time with Allyson in her space, dictating her thoughts to her phone ala Dale Cooper’s microcasettes. Every moment and space has thoughtful purpose, and gives these scenes space to breathe, reflect, and admire.

    The wonderful world of The Secret Society for Slow Romance. Image Copyright 2021 Sujewa Ekanayake. Used with permission.

    Because we spend so much time with Rene and Allyson together, it was refreshing to see them talking, listening, and reflecting with each other. While many films with philosophical concepts create talking-head vehicles for monologues, The Secret Society for Slow Romance remembers that it is, indeed, a romance — and space for conversation is important to such things. Questions are asked and answered with earnestness, and while the conversation topics can soar to incredible, elevated discussions exploring the nature of happiness, Rene and Allyson never take themselves or the subject matter too seriously. This is the rare sort of movie that allows you to curl up in a comfortable part of the world while still acknowledging the faults of that world.

    Yet, The Secret Society for Slow Romance isn’t satisfied with the boy meets girl plot. A Secret Society should have a loftier, larger project — one that could transform independent film making and ultimately end world poverty. But to understand how it all works, you need to see the movie, it’s worth it. Besides, Google won’t help you find that bit about Winston Churchill.

    The Secret Society For Slow Romance will be released in April 2022, and you can go to the official website, https://www.slowromancemovie.com, to track the film’s progress towards saving the world!